rating: ★★★★
mark:
It is rare for me to enjoy an album with such a strong post-rock vibe. This type of post-rock often creates a contradictory and tense tension through the sustained use of dissonant intervals (such as minor ninth and minor eleventh chords), making it difficult for me to immerse myself in it for extended periods (live experiences are another matter). However, the merit of this album lies in its arrangement, which provides listeners with necessary “breathing space”: the middle sections no longer rely on these highly dissonant sonic techniques but instead adopt a “subtractive” approach in composition, effectively alleviating auditory pressure while maintaining the overall stylistic consistency.Additionally, the psychedelic texture presented in the work is well-handled, with an expansive soundstage and a convincingly crafted exotic atmosphere. The only slight shortcoming is that the vocals in certain sections appear somewhat pale and slightly disconnected from the overall texture; reducing their prominence appropriately might further enhance the overall immersive experience.
很少会喜欢上后摇气质如此浓郁的专辑。此类后摇往往通过不协和音程（如小九、小十一和弦）持续制造一种矛盾而紧绷的张力，使我难以长时间沉浸其中（现场体验则另当别论）。但这张专辑的可取之处在于，它在段落安排上给予听众必要的“呼吸空间”：中段不再依赖这些高度不协和的音响手段，而是在作曲层面采取“减法”，在保持整体风格统一的同时有效缓解了听感压力。此外，作品所呈现的迷幻质感处理得当，声场开阔，异域氛围的营造也颇具说服力。唯一略显不足的是，人声在部分段落中显得偏为苍白且与整体质感略有脱节；若适当降低其权重，或许能进一步增强整体的沉浸感。