rating: ★★★★☆
mark:
As many hyperpop musicians gradually fade from the scene, April instead looks back to the vibrant soundscape of 2010s EDM, crafting a clean, precise, and straightforward pure pop dance album rooted in bubblegum bass and digicore. Its production quality is almost beyond words, with every element meticulously organized to serve the listening experience: seamless transitions between sections, embedded glitch textures, fluid beat designs, and dynamic control that achieves a “light yet impactful” effect even amidst dense instrumentation, all contributing to a brisk and sharp dance-driven feel. In a sense, this album pushes “listener-oriented production” to its limits; if even a work like this cannot be considered “good to listen to,” then I truly don’t know what could be.
在诸多 hyperpop 音乐人逐渐淡出这一领域的当下，April 反而回溯至 2010 年代 EDM 的繁盛音景，以 bubblegum bass 与 digicore 为基底，交出一张干净利落且指向明确的纯粹流行舞曲专辑。其制作水准几乎难以用语言加以概括，一切都被精确地组织为服务听感：段落之间的高度连贯、嵌入 glitch 质感、如流水的节拍设计，以及在高密度配器下依然能够实现“四两拨千斤”的动态控制，共同塑造出一种轻快而锐利的舞步驱动感。某种意义上，这张专辑几乎将“可听性导向的制作”推至极限；如果连这样的作品都无法成立为“好听”，那么我真不知道还有什么是好听的了。